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Ahwash أحواش

High Atlas drum ensembles: opening accompaniment and a later four-part excerpt with the txllif lead. [1][2][3][4]

4/4Morocco · High Atlas and Souss Amazigh traditions

Hear the shape of the rhythm.

Basic · opening (4/4)
Thrrim · low part
1D—
&—hold
2—hold
&—hold
3D—
&—hold
4D—
&—hold
Assiff · high part
1T—
&—hold
2T—
&—hold
3T—
&—hold
4T—
&·rest
Bngri · bass foundation
1D—
&—hold
2—hold
&—hold
3·rest
&·rest
4·rest
&·rest
D · DumT · TekK · KaS · SlapP · PopR · RakZ · ZakKi Ti ki ti · ghost notesTra tra · tek + ka flam· · Rest
What do these notes mean?

Musical context

  • Folk & social dance

Ahwash combines sung poetry, percussion and collective dance. Instrument roles vary by region; in Souss, ensembles can include tara frame drums, a low tbel or dendoum, and metal naqqous. Listen to a local ensemble alongside these studies. [2]

In the High Atlas, the tizi is a gradual rhythmic transition led by the solo drum. The later four-part study includes a short txllif phrase from the documented Taslli performance. A repeated practice excerpt cannot reproduce the soloist’s continuing improvisation or the gradual transition. [1][3]

Names & context

Arabic name
أحواش
Arabic alternatives
احواش
Other names & spellings
Ahwach · Ahouach · Ahouache

Basic is the opening accompaniment with thrrim, assiff and bngri. Classic is the later four-part excerpt after the tizi, including the txllif lead from Lortat-Jacob’s transcription of the Taslli performance around 16:00. Its two-bar 7/8 loop is slowed for practice. The opening solo is freely improvised and is not written out in the source. [1][2][3][4]

Regions & traditions

  • Maghreb

Musical use and influences can span several regions. [1][2]

Sources & further reading · 4 references
  1. Bernard Lortat-Jacob · L’ahwash berbère du Maroc, figures 5–7
  2. Darbatook · Chleuh / Ahwach
  3. CREM-CNRS · Ahwach, Taslli, 1975; Lortat-Jacob and Jouad
  4. Lortat-Jacob · later four-part Ahwash, figure 6